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RE20 Variable-D announcers microphone
RE20

THE MIC FOR BROADCAST AND SO MUCH MORE

The Variable-D dynamic cardioid that's defined the sound of radio for generations.
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RE20 Variable-D announcers microphone

The Variable-D dynamic cardioid that's defined the sound of radio for generations.

Step up to the mic that built the sound of broadcast. The RE20's continuously Variable-D design holds your low end steady on and off axis - no bass-heavy proximity bump, no thin edge when you back away. A large Acoustalloy diaphragm handles huge SPLs without flinching, an internal pop filter tames plosives, and a hum-bucking coil shrugs off magnetic noise. Radio booth, podcast desk, kick drum, bass cab - wherever a true voice has to land, it lands.

Key features

Move freely on mic
Continuously Variable-D holds tone consistent off-axis, no proximity boom.
Plosives handled
Integral blast and wind filter tames hard consonants without an add-on screen.
Clean signal near the gear
Hum-bucking coil and steel case reject magnetically induced hum.
Take the loud stuff
Large Acoustalloy diaphragm reproduces high SPLs without overload.
One mic, many rooms
Broadcast, podcast, voiceover, kick drum, and bass cab, with a bass-tilt switch on tap.
Plug in and go
Delivers studio condenser response with no powering required.

Features

Step up to the mic that built the sound of broadcast. The RE20's continuously Variable-D design holds your low end steady on and off axis - no bass-heavy proximity bump, no thin edge when you back away. A large Acoustalloy diaphragm handles huge SPLs without flinching, an internal pop filter tames plosives, and a hum-bucking coil shrugs off magnetic noise. Radio booth, podcast desk, kick drum, bass cab - wherever a true voice has to land, it lands.
  • Move freely on mic - continuously Variable-D holds tone consistent off-axis, no proximity boom.
  • Plosives handled - integral blast and wind filter tames hard consonants without an add-on screen.
  • Clean signal near the gear - hum-bucking coil and steel case reject magnetically induced hum.
  • Take the loud stuff - large Acoustalloy diaphragm reproduces high SPLs without overload.
  • One mic, many rooms - broadcast, podcast, voiceover, kick drum, and bass cab, with a bass-tilt switch on tap.

Specifications

Acoustic Performance

Frequency Response

45 Hz - 18,000 Hz

Sensitivity

1.5 mV/pascal

Polar Pattern

Cardioid

Transducers & Drivers

Element Type

Dynamic

Impedance

Nominal Impedance

150 ohms balanced

LF Impedance

150 ohms balanced

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